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Every major key contains a set of seven triads, one rooted in each tone of the key. Because of the sequence of whole-steps and half-steps which comprise a key, three of the triads are major, three of the triads are minor, and one triad is diminished. The structure of these three triad forms is as follows;
Major Triad
Root [ major 3rd ] 3rd [ minor 3rd ] 5th
C - - - - - - - - - - - - E - - - - - - - - - - - - G
Minor Triad
Root [ minor 3rd ] 3rd [ major 3rd ] 5th
D - - - - - - - - - - - - F - - - - - - - - - - - - A
Diminished Triad
Root [ minor 3rd ] 3rd [ minor 3rd ] 5th
B - - - - - - - - - - - - D - - - - - - - - - - - - F
The sequence of major, minor and diminished chords in each key is as follows;
I - - - - ii - - - - iii - - - - IV - - - - V - - - - vi - - - - vii - - - - I
major -- minor -- minor -- major -- major -- minor -- dimin -- major
The diagram at the top of this entry shows the triads of the keys of C, D and E on the four top strings in their symmetrical positions around the Aeolian Axis and the Void Axis.
All contents of this blog are © Mark Newstetter
All contents of this blog are © Mark Newstetter
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